1/ Nina Pfüller

Solo : "Heels of shame"
"Heels of shame" is a Solo dance piece that explores the deeply rooted shame, that women feel about their bodies and identities. The piece examines how this shame manifests throughout life, particularly in relation to menstruation, societal expectations of beauty, and the constant pressure to reach an unattainable ideal. The piece questions and transforms the shame that has been imposed on them for centuries. The goal is to give women a voice.

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2/ Sophia Barr

Solo : "A Stone That Walks on Water and Stubbornly Refuses to Sink"
Liquid, solid... shock, rebound, resonance... almost silence. The idea behind this sound piece is ricochet, a magical game due to its simplicity of implementation and the miracle it produces: a stone walking on water. The movement language uses tension contained to the extreme which leads to relaxation, like the wave on the surface of the water dissipates the energy of the impact of the stone.

(c) Musique : Cette pierre qui marche sur l'eau et refuse obstinément d'y couler" by Olivier Mouhaï (Composer) 7'24''

 

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3/ Einav Berkovich

Solo : "The skin remembers"
“The Skin Remembers” is born from the weight of collective memory—stories, traumas, and traditions that are passed on to us and live in our bodies. In response to the turmoil shaping my community. The work traces the tension between carrying history and rewriting it, as the goal is reshaping inherited narratives and patterns, searching for clarity within the skin, and for the possibility of transforming historical and present pain into healing.

 

 

4/ Valentina Viscido

Solo : "Asteroidea"
The softer, the innermost, get in touch and touch the world during few seconds to make it part of itself. The innermost, the softer comes reversed to you. It puts itself to danger, to fire, to asphyxia for the greater good. To contain tenderness. To perpetuate the belly. To continue being the mother. To continue being the roots, deep tubers of the earth, of the gorge.
Could I clean the world like this ? Could I wash my house this way ? Could I clear your heart like that ? Could I wipe our tears away ? Could I scrub the uglyness ? Could I ingest your tongue then and chew it ? Could I eat those clouds and digest them into sweet cotton candy ? Taste all the warmth and kindness of the world.

 

 

5/ Esmée Aude Capsie

Solo : "Accident/Rêve aux lucioles"
Une pièce à propos des choses qui nous impactent, qui nous percutent, nous déforment subtilement, et qui se coincent dans un creux du corps, jusqu’à en sortir ¬– brûlantes et explosives.
Des positions de révolte, des cycles, des dépossessions. Un silence, une sensation, peut-être une mémoire partagée. 

 

 

6/ Dorka Zatonyi

Solo : "Body Dialect"
Body Dialect examines body language, and the space where instinct and learned behaviour intersect. It questions what it means to truly understand one another, offering a perspective enriched by cultural diversity. At its heart, the piece looks at communication and identity, and how non-verbal expression builds, shifts, and transforms meaning.

 

 

7/ Alexandra Morette

Solo : "Nat’ "
C’est une tentative un peu manquée de donner une adresse à ces irruptions de la pensée ; souvenirs, oublis, questions, élans de recherche qui soulèvent une foule d’émotions contradictoires et laissent le personnage désemparé, enfermé dans une rengaine à la limite du solipsisme. 

 

 

8/ Lucie Besançon

Solo : "Brûle"
Parler d'une lutte, toucher à la colère, la violence, la fatigue, la douceur, la solitude, évoquer la réappropriation et la redécouverte de soi et son corps parfois douce ou parfois brutale. 
Parce que oui, quand notre genre social est perçu comme féminin, nous devons lutter et faire preuve de vigilance parce nos droits fondamentaux humains sont toujours remis en question. Alors, pour exister en tant qu'être humain et individu dans cette société, continuons de brûler de colère…

 

 

9/ Magdalena Górnikiewicz

Solo : "Say it to the mountain"
'Say it to the mountain' balances between quiet resistance and a raw dialogue with anger and disappointment. At first resisted, then welcomed as an old friend whose friendship history has been erased due to time passing, following which the body becomes both morning mist and internal battlefield, leaking fragments of fury and tenderness. There, standing at the foot of the mountain, what remains is not resolution but an open wound - anger dispersed, silence reclaimed and a heart of foam hanging in the chest. 

 

 

10/ Arianna Pina Cayuela

Solo : "My (bodyless) self"
In my solo I explore an alternative reality in which voices can choose their bodies. I introduce to the public the body I finally picked, but what if it wasn't the right choice?
In this surrealistic atmosphere, my bodyless self tries to keep going, questioning everything and everyone around. 
What if my voice doesn't get along with my body?